• Home
  • Painting
    • Suburban Undertow
    • Recent
    • From the Sidelines / 2022
    • In Quiet Company
    • 2020/2021 (Home Bound)
    • Miscellaneous works
    • 2020 Landscapes
    • Soft / Safe
    • Ísland - 2019
    • Formations of time
    • Night Solace
  • Installation / Sculpture
    • 2023
    • Home Sweet Home
    • 60 Women
    • Dias / Shifting Vapour, Floating Water (One day I will be the sky)
    • Adventures to Far off Places
    • Mortality and Memory (Current Project)
    • Transitional Spaces
    • 100 Lessons Not Yet Learnt
    • Presence / Absence / Permanence
    • Necro Jacket
    • Inconvenient Reality / Sorry
  • Public Projects
  • Illustration
  • Artist CV
  • about
  • Contact

Liss Finney
  • Home
  • Painting
    • Suburban Undertow
    • Recent
    • From the Sidelines / 2022
    • In Quiet Company
    • 2020/2021 (Home Bound)
    • Miscellaneous works
    • 2020 Landscapes
    • Soft / Safe
    • Ísland - 2019
    • Formations of time
    • Night Solace
  • Installation / Sculpture
    • 2023
    • Home Sweet Home
    • 60 Women
    • Dias / Shifting Vapour, Floating Water (One day I will be the sky)
    • Adventures to Far off Places
    • Mortality and Memory (Current Project)
    • Transitional Spaces
    • 100 Lessons Not Yet Learnt
    • Presence / Absence / Permanence
    • Necro Jacket
    • Inconvenient Reality / Sorry
  • Public Projects
  • Illustration
  • Artist CV
  • about
  • Contact

L I S S F I N N E Y

Painting

Installation / Sculpture

Illustration

Public Projects

About

CV

Contact
 
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All images and content © Liss Finney 2022. I recognise and acknowledge the Awabakal people as the traditional owners and continual custodians of the land on which I live and work. I pay respects to all elders: past, present and emerging. I acknowledge that sovereignty to this land has never been ceded.